Monday 1 April 2013

JOURNAL ENTRY #16: Short Paper 3



  Devendran 1
Ivana Devendran
Student #: 999719265
Professor Sarah Kleeb, TA Sarah Robinson[SR1] 
Key Questions in Humanities
Due date: March 16th, 2013

David Harper’s Fascination with Remembering
In David R. Harper’s art exhibit Entre le chien et le loup, on view at the Doris McCarthy Gallery located at the University of Toronto Scarborough, feature pieces displaying taxidermy-based sculptures, embroidered prints and ceramics. The talented artist has mastered all of these complex art mediums among his other accomplishments, which is impressive due to his young age. The unusual French title of the exhibit is translated as “enter [SR2] the dog and the wolf” expresses the specific time of day just before night. The reference to the dog and the wolf is that at this time, a dog and a wolf could not even be told apart because of the great darkness. This title is ambiguous as it also suggests themes of uncertainty and the unknown. David Harper introduces the concept of liminality, which is the in-between and seeing things from a different perspective.
The intention of Harper was to make you question what you’re viewing through memorializing and remembering, and this is represented through his artwork. There is a lot of care and craftsmanship that went into creating these pieces, and with the gallery as a whole, there is symbolic meaning that differentiates between memories and the present[SR3] .

                                                                                                                           Devendran 2
            Theme is integral in these pieces because they all have unique qualities from the materials that are used to make them, as well as the meanings behind them. Theme [SR4] is attributed in not only the title of Harper’s gallery but also in the titles of the works which all behold their own respective meanings and significances. According to Glyn Davis in The Ideology of the Visual “If an artist decides to devote time to the production of an image, then surely he or she must desire to make a statement with that picture” (Davis 5).
This statement relates to David Harper’s work since he exudes great effort and skill to produce his works. He shows a great amount of craftsmanship in his art as he takes on painstakingly difficult tasks in the processes of creating his pieces[SR5] . The thematic elements that are presented in the pieces are intentional of the artist as he is establishing what is considered as the unknown and the in-between, as well as memorializing and the idea of memories representing remembrance. For example through one of his pieces in the gallery called To Remind, or to Warn, there are two taxidermy-style wolf sculptures: one in black surrounded by black roses and a snake and the other in white and surrounded by white urns. The theme being conveyed when viewing the wolves is clear[SR6]  as they are representing a memorial with the urns, which are used to hold the ashes of a deceased individual, and the black roses as flowers are usually placed over the dead. Harper was specific as to placing the white urns around the white wolf because the color white is associated as a symbol of purity and innocence. The choice of utilizing the colors of black and white were also intentional as with the theme the artist was trying to convey.

                                                                                                                        Devendran 3
These particular colors suggest symbolic meaning of uncertainty within them, and depict a sense of realism in how they are representing the remembrance of the dead.
In Harper’s piece called I Tried, and I Tried, and I Tried, the evident theme is glorification and celebration. This work consists of a reproduction of the famous painting called Napoleon crossing the Alps by Jacques-Louis David, which displays the celebration after Napoleon and his army successfully cross the Alps. This painting depicts Napoleon posing on top of a white stallion as if riding it in mid-air. The white stallion can be representative of something significant which makes sense as this piece is supposed to be in remembrance of that special day for [SR7] Napoleon. In David Harper’s reproduction of the piece he has taken Napoleon’s stallion as the main statement symbol of the piece, and made it seem like it is out of order. This is due to the black to white gradient in the horse, which has been embroidered with cotton floss, and makes the horse almost seem like it is gradually disappearing.[SR8]  The gradient in the horse makes you feel like the piece is missing something. It is as if the horse is not entirely there and Harper once again uses the black and white colors to express this uncertainty of things not being in the “right” manner.
            Another work in the gallery is called A Fear Of Unknown Origins (II), which consists of a variety of cheap children’s animal masks that have been cast into ceramic molds. Harper has turned something of cheap value into something more valuable. The ceramic animal masks have been painted in a gradient of light to dark blue, which shows how David Harper utilizes gradients to express different moods.[SR9] 

                                                                                                                           Devendran 4
 The masks are randomly assorted and arranged in stacks on the wall displaying the light to dark blue color pattern, almost mimicking totem poles. The light blue masks on the left side like the color white seem to emulate a more innocent feeling, while the dark blue masks on the right side like the color black seem to symbolize some type of evil. The blue color could also be linked to the time of day like day or night. Another reference of the piece is that it reminds you of animal heads that are mounted onto wooden plaques and hung in the homes of rich men as trophies. The theme behind this piece is identity because it is unknown to you of who or what is on the other side of the mask, which goes back to the unknown and uncertainty themes. The memorial-like arrangements of the masks give them a sense of life and presence.
The theme or message that is being conveyed by the gallery as a whole is liminality as it is the true major theme.[SR10]  This concept refers to the in-between, the unknown and the dangerous. Harper’s works range in scale from sculptures to embroidered prints and in order to portray these themes, Harper takes different mediums that are uncommon to construct them. Emotions are evoked through the pieces in their colors, textures and intricate details. The titles given to the pieces present their own individual stories that can be drawn from a historical background or an emotional one.  My impressions of David Harper’s gallery at first glance seemed to be a bit disarrayed as questions swarmed me in [SR11] regards to comprehending what I was viewing. David Harper should be commended for mastering his acquired skills in embroidery work and ceramic-making, and his talents are truly evident in his work. [SR12] 
                                                                                                              
                       
Dear Ivana,

Some great ideas in here but you need to definitely focus more. There were some great things that could have been further unpacked here. As it was the paper still lacks focus and organization. The conclusion seems at odds with the rest of the paper.

GRADE: 68%                                                                         Devendran 5


Works Cited

Peck, Erin. " Art." Humanities. University of Toronto Scarborough. Doris McCarthy Gallery, Toronto. 7 Mar. 2013. Class lecture.


Davis, Glyn. "The Ideology of the Visual." Exploring Visual Culture N/A (2005): 5. Print.





 

[SR1]Not my name!
 [SR2]No—it means “Between the dog and the wolf”
 [SR3]Could be phrased as a more provocative thesis statement: “The major theme of mediating between a present reality and memories of the past is explored throughout the exhibition.”
 [SR4]What do you mean by “Theme” here? Unclear.
 [SR5]Give specific examples here—embroidery, taxidermy, ceramic production etc…
 [SR6]Really? What “Clear” theme Is conveyed then? Death? I can think of many others too so watch out for over-generalizing language.
 [SR7]What special day? Perhaps better stated as “a specfic event”
 [SR8]Good description.
 [SR9]Ok—how is this paragraph or decription related to your thesis?
 [SR10]Could/should cite Erin Peck on this if you heard this from her.
 [SR11]confusing
 [SR12]is skill and proficiency really the main message you want to communicate about his work? 


Feedback: Out of all of my papers, this has been my highest grade so there has been some improvement. I have to work on clearly specifying arguments and unpacking quotations thoroughly. Another thing to work on is making sure that points made are somehow always relating back to my thesis statement. 

No comments:

Post a Comment